Always searching for help and meaning, I find myself creating objects of luck or solace. The alchemical process of placing glasses and in a kiln changes these glasses and metals as they fuse, an appropriate method to make work intending to talk about transformation alluding to other worlds. A kiln itself at 1500 degrees is another world where copper patterns become incased between two sheets of glass, a timeless zone free from Earth’s atmosphere which can no longer act on them with oxidization. The act of sealing objects inside a box additionally decrees a separate reality. These scenarios present unconscious questions providing no answers. The intention is to leave one pondering and not uncomfortable.